We are now offering a 5 ton grip truck and lighting package to Dallas, Ft Worth, Austin, Houston, Tx, Texas, Los Angeles areas.

We have a very affordable price for this truck and can offer even more savings when it is bundled with our RED Epic Package.

Click on the link below to view the truck inventory list.

5 Ton Grip Truck Inventory List

joshua(at)joshuadixonmedia.com

817-269-1937

Joshua Dixon Media Demo Reel

All shot on Various Cameras including:
RED One
RED Epic
Canon 550D
Panasonic HVX200

www.joshuadixonmedia.com
817-269-1937

A PSA created for the Irving Fire Department,
Commissioned through the Movie Studios at Las Colinas.

The concept was to create a PSA that would play at the annual
Irving Firefighters Ball, and at the same time also bring
awareness to the Irving Firefighters Department and had the
ability to be syndicated through TV. 

Produced by: Joshua Dixon
Directed by: Coleman McClung
Director of Photography: Benjamin Tubb
Steadicam Operator: Fabian Aguirre
Edited by: Joshua Dixon
Color Corrected and Graded by: Joshua Dixon and Johnny Fegan
Shot on: RED Epic
Edited in: Premiere Pro
Composited in: Assimilate Scratch
Color Corrected and Graded in: Assimilate Scratch
Music Recorded and Provided by: The End of the Ocean
Music Track Name: "May Be For The Better"

One of the first to won the new RED Epic M. Nearly all of our productions are being shot on this amazing camera.

Call us at 817-269-1937 to rent our Red Epic M.

The RED EPIC M is able to capture up to 120 frames per second, each frame at full 14MP resolution. Providing native dynamic range of over 13 stops and resolution that exceeds 35 mm motion picture film. Add to that RED’s newly developed HDRX extended dynamic range technology and EPIC boasts an amazing dynamic range of up to 18 stops! Take full advantage of the HDRX function when filming blown out scenes in the snow and the likes of.

 Call us at 817-269-1937 to rent our Red Epic M.

Our RED EPIC M is available in Denver and Colorado Springs, CO, as well as throughout the entire state of Colorado.

We provide qualified, DPs, ACs, and DITs along with our Red epic.

The RED EPIC M is able to capture up to 120 frames per second, each frame at full 14MP resolution. Providing native dynamic range of over 13 stops and resolution that exceeds 35 mm motion picture film. Add to that RED’s newly developed HDRX extended dynamic range technology and EPIC boasts an amazing dynamic range of up to 18 stops! Take full advantage of the HDRX function when filming blown out scenes in the snow and the likes of.

 Call 817-269-1937 to rent our Red Epic M or fill out our contact form here.

RED Epic M Package List.

• EPIC-M Brain with titanium PL mount
• Dovetail Quick release Platform 19MM
• 2 x 12″ 19mm Rods
• RED Pro 17-50mm T2.9 Zoom Lens
• Bomb EVF
• 5″ Touchscreen LCD
• 3′ LCD/EVF Cable
• 5″ LCD/EVF Cable
• DSMC Side Handle
• DSMC Side SSD Module
• Top Handle
• Swat Rail
• Miller Sticks and Tripod Head, rated for 60 LBs
• REDmote
• 4x 128GB SSD cards
• Element Technica Mantis Shoulder Rig
• O’Connnor O-Box Mattebox
• ND Filters, .3, .6, 1.2
• RedRock Micro FollowFocus
• 4x REDVolt batteries and 2 x Travel Chargers
• 2 x Redbrick batteries
• Battery Plate for V-Mount Batteries to Mount on 15mm Rods
• EPIC Pelican 1510 case
• Other Pelican Cases for Rest of Gear

A commercial spot created for the Fort Worth Arts Council through Ascend Concepts.

The concept was to create a piece that would be used for a background when promoting at events, and also provide a conclusion to the back story that was provided during the ad campaign.

Produced by: Joshua Dixon & Ascend Concepts
Directed by: Joshua Dixon
Shot on: RED Epic
Edited in: Premiere Pro
Composited in: Nuke

Client: Silverback records
Artist: Young Byrd
Song: How ya Do Dat

Produced by: Joshua Dixon
Directed by: Joshua Dixon
Shot on: RED Epic M
Edit by: Johnny Fegan and Joshua Dixon
Edited in: Final Cut  and Premiere Pro
Colored by: Johnny Fegan
Colored in: Redcine-X Pro

I am not seeing the big difference between these two cameras? The two cameras have basically the same sensor sizes.However, here are some thing notable right off hand when immediately looking at the Canon 5D and the brand new just announced today Canon C300 …

1) They say it’s 4K…in my opinion it better not line skip otherwise it’s down-scaling just like the 7d and 5d.

2) It’s 8-bit and will shoot to an Mpeg2 MXF codec, everything is baked in.

3) Frame rates are as follows; 24P, 25P, 30P, and 60P at 720 just like the 7D.

4) It’s price is over TEN THOUSAND more dollars than a 7D or a 5D!

Canon C300 – $16,000 – $20,000 MSRP

• Single 8.3 megapixel 2160×3840 Super-35 CMOS sensor (4K resolution) with Digic DV III processor
• Canon XF codec (50Mbps 4:2:2 1080p30 MPEG2 MXF) records to two Compact Flash card slots
• Canon Log gamma, SDI, compact body, Custom Presets and menus similar to Canon XF series
• Exposure and focus control are completely manual — there is no AE or AF on either camera
• 10 bit 4:2:2 external, only single link HD-SDI
• 4:2:2 8bit 50mb/s MXF wrapped Mpeg 2 to CF internal
• 24P, 25P, 30P, 1080p
• 60P at 720
• 2 CF card slots
• 4″ LCD monitor
• XLR outputs on the handle
• HDMI & HD/SDI out
• SD card for stills
• Time Code with Genlock

Canon 7D – $1700

• Single 18.0 MP megapixel 5184 x 3456 CMOS sensor
• H.264 records to a Compact Flash
• Exposure and focus control are manual and automatic
• Headphone 1/8 jack
• 8 bit with mini HDMI out
• 24P, 25P, 30P, 1080p
• 60P at 720

Just buy a used Red One Package

Trustkill Records